remastered reissue on heavyweight 180 gram vinyl of david bowie’s 1977 album.

50s jamaican mento at its best, reissue of a double 10 inch album into one solid disc. happy and delightful jamaican mento played by local jazz musicians, recorded in the golden age of 78rpm sp singles.

queen (extended)- is ten walls s first release for memento records. this 8 tracks album on double vinyl is a vivid depiction of the lithuanian artist top-notch production skills, his wise use of subtle melodies and harmonic progressions, as well as his pointed dancefloor instinct.

terekke drifts gracefully onto music from memory with a long player of looping ambient pad pressure. big tip! the recording of improvisational loops began in 2012 during yoga classes at body actualized center in nyc. in the spirit of past new age or minimal music, it aims to open up a space within the room giving the listener a chance to explore inward or outward. it was recorded using a digital synthesizer, reverb, and looper. terekke, january 2018

ernesto chahoud’s ‘taitu’ is a collection of soul-fuelled stompers straight from the dancefloors of 1970s addis ababa. a breathless journey through the unique ethio sound that bands were forging at the time, the 24-track compilation is the result of the lebanese dj and crate digger’s decadelong love affair with the ‘golden age’ of ethiopian music.

the journey back into the vaults of seminal italian house music label vibraphone records continues apace with this gem from 1993. k2 was a one-off project for central label figures the true underground sound of rome, and this loss of gravity 12- represents one of the most sought after rarities from the vibraphone catalogue. the on-point breakbeats of -the journey-, the wistful tones of -in my garden-, the plush ambient refrains of -lirica- - every inch of this record is steeped in class that belies the age of the music. need we say more - this is a buy on sight reissue that won t stick around for long.

following a succesfull 2016 with his well received eps golden tides,sunlit forest and one of our fave releases bahia, joe offers up four cuts for pleasure unit. continuing the producers passion for new age , paradasical ambience and dreamy deep house,lead title -jacaranda skies- might be what telephones and met mr heard would of sounded like had they met in rimini circa 91. a dusky atmosphere provides the backdrop to ecstacy inducing chords,an elevated brass sequence and afro percussion driving a tight groove. mangrove dawn is an aural quaalude hit, gentle synth washes fold over each other,while nature sounds buzz through a distant 303. the lost garden opens to a reverb soaked slide guitar and soaring pad section before a jaguar snarl gives way to subtle kick pattern atop m1 chimes and bali bells. skies reprise closes off the ep with a beatless take on the original, the melodies given more space the sonic equivalent of open air swaying under hazy pink skies.

ecuadorian carlohs passion for music began at an early age, learning the art of turntablism from his father and uncle, both of whom were djs. heavily influenced by the native instruments of his country and the folk music of the andes mountains, his knowledge of modern and traditional is reflected in the latest release on hot creations. the ep opens up with title track sound pump. alien-like noises float amongst the powerful, thudding drums before descending into a crescendo of hurried synths that are smashed into outer space by that classic jackin beat. this is swiftly followed by the dark and looming bassline of its like before, littered with twinkling, cosmic synths it’s works a treat! claiming he wants to rescue the sound of classic house, the talented producer has forged a musical style that strikes the perfect balance between old and new. describing himself as a pioneer of the musical genre andes house, carloh has previously released records on desolat, baumsounds and im a house gangster.

this split lp compiles the output of two closely related bands from, as suggested by the title, the hot, humid and (at the time) socially isolated city of brisbane, australia – an unlikely location for synth-pop and new wave music during the 1980s. prod & the moonbaby were a high school duo experimenting with tape loops, cheap electronics and primitive sampling.. the result is certainly lo-fi, light-hearted and naive, but also charming and the music belies the young age of the musicians. ash in october was in many ways a logical progression of prod & the moonbaby and shared some of the same personnel, but also added some new wave influence through extra instrumentation and more serious, considered lyrics. most of these tracks have never been heard before outside a handful of self-distributed tapes and this compilation was compiled over several years by the artists in collaboration with hysteric and nick mariano (crispy nuggets).

reissue of killer album from 1980 - the albums first reissue on vinyl, it will include a download code booklet with various documents, as well as previously-unreleased recordings.

salt mines welcomes escape artist to the team with the excellent signs of life ep. from new-age acid house to dubstep and jungle, there is something for everyone in this genre spanning release.

blind jack embarks on another journey around secret cities, this time we drop into wuppertal, capital of bergisches land in germany. famous for the space-age schwebebahn and the lego brücke. we invite mr. mauke colkin to the team and he dishes out some seriously deep dreaminess that would happily get you around the schwebebahn in a day-dreaming trance. also featuring the divine vocals of fellow wuppertal resident maria basel.

r&s founder renaat vandepapeliere launches a new series rv trax, to reflect the sound of his dj sets. re-invigorated and inspired by contemporary dance floor sounds, after 30+ years as the label owner and figurehead renaat succumbed to the temptation to finally, at the tender age of 60, try his own hand at rocking the crowd. renaat s sets have seen him assemble a treasure trove of unreleased music that will now find a very personal home on rv trax. emblazoned with the belgian national colours of black, yellow and red these tracks proudly flaunt their floor-filling dynamics. the first, a dance floor stormer from steve legget, remixing fellow north easterners bird of paradises original a tight punchy workout that pairs distorted 909 kicks against a high tension string part and melancholic synth pads. g-prod (aka french brothers david and nicolas gaugain) provide a balmy, motor-city style number shuffling drums underpin sunrise synth washes and euphoric melodies. buenos ayres hermetics provide a frostier mood with collider - chilly fm bells pinned against serrated percussion and swirling distortion

danyb (of best-selling busted edits fame) kicks off another affair of the art, with jupiter dance. spring-boarding from the jupiter dance radio show, which takes a regular tour through the lesser known avenues of synth pop, space disco & italo here we have three worked up renditions of awesome 80s obscurities, deutsch new wave, french synth experiments & new age pieces which conspire to deliver a very welcome selection, for aficionados and ass-shakers alike.

2lp in gatefold sleeve with liner notes. volume 1 of the belgian nuggets 90s-00s compilation series: a collection of obscure belgian tracks of superior quality dating back to that specific period: forgotten singles, b-sides, album tracks and demos. including tracks by deus, the beautiful babies, elisa waut, volt, sexmachines and more.

sleep-deprived, breakbeat-driven vignettes of unclear authorship, from somewhere west of lake lagoda, near the russia-finland border.sekundenschlaf has significant points of correspondence with contemporary european electronic music, as well as the golden age of (early) jungle and ambient techno. but its response to tradition, and to the zeitgeist, is idiosyncratic to say the least – with an atmosphere and psychogeography rooted in the tranquility and majesty of western russian nature, and the anxiety and distress of the country s post-soviet working class. pastoral calm meets dissonance and unease. the music has a loose, improvised feel, but its arrangements are intricate, its melodies iridescent: cascading arpeggios that stir a sense of optimism and renewal, sighing string-pads that evoke the deepest melancholy. rhythms simultaneously hyped-up and burned-out, collapsing in on themselves as they race to destinations unknown. all bound together with field recordings of eavesdropped conversations, blurred into abstraction, a droning subliminal menace.trust me, you ll be fine

just in time to warm up your winter, hell yeah revisit the peerless recent tsuki album from ambient and balearic masters tempelhof & gigi masin. two tracks from the album are included on this new package, as well as a remix from jex opolis. trancendental and dreamy drums characterise the new age corner song, which is the sound of laying back on a boat and bobbing up and down on gentle seas at sunrise. its organic and soothing to the max. the other original is flying man, a suspensory film that feels like floating amongst the clouds on a humid afternoon. wordless vocals add a heavenly feel to the lush and all encompassing chords and pads and nothing sounds sweeter than being lost in this one. it is corner song that gets remixed by good timin and running back man jex opolis. famous for his disco infused synth pop sound he is a master of his own musical world. his version is eight minutes of laid-back tropicalia. slowly churning drums and knotted funk-bass prop it up as an eco-system of pops, clicks and hits add to the steamy and sensuous groove. it s grown up disco for cocktails on the terrace and will have you hugging anyone in earshot. support by calm, lexx, leo mas, apiento, zambon, max essa, kito jempere, buena onda djs, balearic gabba sound system.

ltd 2018 repress - max graef is a prime example of the new generation of young pure hearted producers emerging from berlin at the moment. at age 19, his output is surprisingly mature and well rounded juggling everything from house, hip-hop & garage to indefinable hybrids of in-between.

(2017 repress/remastered) one of the more delicate recordings of sun ra s 28-strong arkestra, sleeping beauty drifts in on a cloud of cosmic dust, sounding unlike anything before or after. with drummer luqman ali keeping the narcotic funk, but with dreamy solos from other key arkestra players like john gilmore, michael ray, and marshall allen, no sun ra collection is complete without this lp. inspired space-age lullaby music. tip!

trisomie 21 is a post punk band formed in 1981 by phillipe lomprez (vocals, drums) and herv? lomprez (guitar, electronics), two brothers from abscon, in the north of france. they began composing songs at the age of 16 while studying at school. the brothers were influenced by kraftwerk, the residents, yello, p.i.l as well as the films of george a. romero. their music consists of lush soundscapes that do not easily fit into any one category. lyrics are sung in english because in the north of france the duo sought to contradict the trend at the time for everything to be sung in french. musically their mood is melancholic and one can hear traces of joy division, durutti column and the cure.

design default makes a contemplative debut lp blending ambient soundscapes with electronica & jazz hints. entitled dawn chorus, the record sounds like a reflexion on awakening to new feelings and ideas as well as reminiscing and looking at those that came in the past. the lp opens in a playful and harmonious way with bells play, bringing forward the idea of awakening. the rest of the record designs a world in which slow unfurling soundscapes with heavy bass like the forest or two mirrors consistently stand alongside glitchy atmospheres like the distorted ecce or the celestial escale. tracks like peaks and notes or wood caving put the accent on harmonic and textural content. overall, the record is rooted in a cosmic almost new age ambient tradition, but focuses more on the idea of renewal than vagrancy and languishing. if ecstasy and euphory do not describe the feeling here, darkness doesnt either. the result is a balanced, mature and diverse lp, bringing many beautiful sonic atmospheres to life, and telling a journey of wonder of openness.

trisomie 21 is a post punk band formed in 1981 by phillipe lomprez (vocals, drums) and herv? lomprez (guitar, electronics), two brothers from abscon, in the north of france. they began composing songs at the age of 16 while studying at school. the brothers were influenced by kraftwerk, the residents, yello, p.i.l as well as the films of george a. romero. their music consists of lush soundscapes that do not easily fit into any one category. lyrics are sung in english because in the north of france the duo sought to contradict the trend at the time for everything to be sung in french. musically their mood is melancholic and one can hear traces of joy division, durutti column and the cure.

trisomie 21 is a post punk band formed in 1981 by phillipe lomprez (vocals, drums) and herv? lomprez (guitar, electronics), two brothers from abscon, in the north of france. they began composing songs at the age of 16 while studying at school. the brothers were influenced by kraftwerk, the residents, yello, p.i.l as well as the films of george a. romero. their music consists of lush soundscapes that do not easily fit into any one category. lyrics are sung in english because in the north of france the duo sought to contradict the trend at the time for everything to be sung in french. musically their mood is melancholic and one can hear traces of joy division, durutti column and the cure.

trisomie 21 is a post punk band formed in 1981 by phillipe lomprez (vocals, drums) and herv? lomprez (guitar, electronics), two brothers from abscon, in the north of france. they began composing songs at the age of 16 while studying at school. the brothers were influenced by kraftwerk, the residents, yello, p.i.l as well as the films of george a. romero. their music consists of lush soundscapes that do not easily fit into any one category. lyrics are sung in english because in the north of france the duo sought to contradict the trend at the time for everything to be sung in french. musically their mood is melancholic and one can hear traces of joy division, durutti column and the cure.

as one of the first dutch musicians to establish a vital connection between detroit and amsterdam, orlando voorn has long been recognized as one of the netherland’s most original and inventive producers in the world of electronic dance music. voorn began djing at the tender age of 12 and went on to win the dutch dmc dj championships in 1986 with his own characteristic blend of hiphop and electro. towards the end of the eighties he acquired his first sequencer, packed away his turntables and turned his hand to producing.

naples original house master s-dm deliver the next ep on the cult of e-beamz. nu age tropical lo-fi house the way it should be done! on the flip a nice acid jam trak. tip!

‘the original sound of burkina faso’ follows the hugely successful ‘the original sound of mali’ compilation released in march this year, also on mr bongo. here we have a collection of songs that pay tribute to a truly golden age of music, touching on folk, funk, blues, highlife, disco, psyche, latin, rock and soul.

• latest from low jack and jean carval’s gravats label
• the return of black zone myth chant with a new lp of chopped and screwed electronics via deep space new age
• mastered by matt colton at alchemy

for this second release it is the young artist blicz who joins the volphonie team. he proposes two original tracks, mineral effect and 2nd story, which perfectly characterize the universe that the artist has developed in spite of his young age and which perfectly matches volphonies spirit, a hypnotic and effective techno that does not forget the melodies charged with emotions. each original track will be followed by its own remix: the first from flug which gives us a clean and ultra dance floor version of mineral effect, and the second from andre kronert, focusing on drums and groove. in line with the first release signed scan x, volphonie continues with this second opus to develop its universe by bringing together artists from different horizons but who all share this involvement in music and in the techno movement in general. because volphonie thinks, like many, that it is not just about music ...

as one of fuse s original residents, rich nxt played a major part in the brand s evolution, helping take it from that sunday morning afters to being one of the most respected event brands and labels on the planet ever since the age of 10, rich nxt has been involved in creating his own music. thanks to his early training as both a drummer and keyboardist, nxt has an inherent musicianship fully apparent in his sound and style of production. taking influence from the london rave scene of the early 90s spanning drum n bass and jungle and later the minimal and tech-house scenes of europe, nxt s output found a platform on the now world-class fuse london label (launched in 2011). a core artist for the label, with five solo eps and a collaboration alongside seb zito, rich nxt has been integral to fuse s trademark sound with his debut ep bristle and quixotic ep two of the labels defining moments. nxt and zito s chemistry in the studio is clear with a further two collaborations on fuse sister label infuse. alongside his own productions, nxt s remix catalogue includes seb zito s never with enzo siragusa and his original breakthrough remix of jon maker s seeker , which was championed by tini and many other leading djs in the minimal house scene. by the end of 2016, a residency at amnesia ibiza with hyte x fuse alongside dates at off week in barcelona and several stand out events on fuse s 8th birthday tour including an epic after hours set at berlin s hoppetosse proved nxt is on top of his game. nxt also launched his own imprint nxt records that year, another platform for his own consistently quality output. several releases down the line, nxt s distinctive style layered with intricate percussion, obscure synths and ethereal pads combined with punchy snares and atmospheric vocals is marking out the producer and label as a prime source for djs and vinyl lovers. 2017 sees the launch of a second vinyl only imprint what nxt, a home for musical discoveries that end up buried deep in his own record bag. featuring both emerging talent and established artists from the uk and beyond, what nxt? all roads lead to the rave.

lucky number seven for good company records is the o.g.ep, roza terenzi s cheekily-titled debut. three tracks of doof-approved club gear from the perth-born melbourne resident, plus a bonus sunday-morning-coming-up megamix from vancouver s jayda g. with a sound like windham hill gone hardcore, this record promises fans from black rock to berlin. after the driving, new age electro of opener the right zone, terenzi declares yeh yeh yeh with a bush-bashing jeep of a bassline, blasting roxanne shante as the posse pile out of the whip & into the function. later, higher place sparks the chalice for a pre-dawn dip into the spirit realm. sometime after that, designated driver (and freakout cult-leader) jayda g takes the wheel, pulling into the church car park with her deep in your soul remix, a piano house kick-on of all three roza terenzi originals. feels good, right?

zodiak commune records presents a new insectum serie wich each ep contains dark acid and techno tracks from one artist. the special insectum artwork comes from our illustrator mvm and designer shirley hendrikse.
first in line is our label resident 1nc1n. already released a track on white cyclus ii, he shows you on his first solo ep -praying mantis- what he is capable of. from acid, dark techno to melodic and psychedelic acidcore/tekno.

for the second release piramide landed with a va mini compilation including the debut of the mysterious hawaiian chips. xinner opens the scene with a mind-blowing synth journey that makes you lose concept of space and time. autre follows and hooks you up with a hypnotic house beat bringing you in a dance floor dreamy mood. finally hawaiian chips brings you back in the golden age with a proper electro banger made as your favourite 90s idol would have done it. to conclude xinner does the honour and closes the ep with two must have dance floor filler.

vinyl only, alex took his first musical steps by studying piano and guitar at the young age of 6. his fascination for the more outlandish, experimental side of each instrument corrupted his lessons and sent him down a modular synths and tape loop composition wormhole. years later alex resurfaced, got himself clean and, through connections made while spending time as a vocal audience member (and sometimes uninvited participant) at lyman woodard, phil ranelin, and other tribe- and motown-linked gigs in cass corridor during the mid-1970s, spent time as a session musician for earth wind and fire, chic, and prince. it was only toward the mid-90s he found himself enthralled by the techno and house sounds of detroit and chicago so he went into the woodshed and came out firing electronic salvos.

in partnership with a stable sound, the content label is proud to present cut chemist s madman ep (vinyl edition). featuring musical contributions from mumbles, gone beyond and deantoni parks. the project showcases the envelope-bending progression of sample-based music and hip-hop experimentation in the modern age.

ote maloya ist die fortsetzung von dem ebenfalls auf strut records erschienenen album >soul sok sega<. diese beiden genres, die ihren ursprung im indischen ozean haben, wurden vor jahrhunderten auf von sklaven zuckerplantagen entwickelt und geben die einmalige verschmelzung von europäischen und afrikanischen einflüssen wieder.

remastered edition, contains a printed inner sleeve and 4-page 12inch booklet with liner notes and photos. tip! after a classic artistic journey and an experimental stint with aktuala and other brilliant fellow musicians (like franco battiato, above all), lino capra vaccina, near the end of the 70s, recorded antico adagio. it was an amazing album, anticipating countless future experiments in the field of new age and world music but also in avantgarde and electronic music. apart from a few violin parts and the extraordinary vocal lines (sung by vaccina himself and juri camisasca), antico adagio is an album fully built on percussions. but, at the same time, it s the farthest thing from the typical idea of percussions. you won t find a single trace of african or primitive beats: instead, this is a collection of rather long, subtle and thoughtful compositions, crafted with vibraphones, marimbas and gong. together they create a work which will remain unique both in capra vaccina s discography as well as in a more general sense.

the second offering from deep sea frequency comes from valencia born pépe, and is an all-encompassing space age electro trip to the cosmos and back.

some records are timeless and never age - -happiness is just around the bend- by the main ingredient is one of those records. originally released in 1974, -happiness- was a record before it s time - had it been released a year later it would undoubtedly have been one of the first 12- discs - so as a result, most discerning djs at the time chose to play the album cut. the song is actually a cover of uk prog-jazz band brian auger s oblivion express s version from the year before but main ingredient took the song to a whole new level and, 44 years later, it has become one of the most revered dance tunes of all-time. main ingredient were unlucky with 12- releases, which is why we re delighted to give -evening of love- it s first-ever 12- release! once again this was a 1981 album track which years later it would become a modern soul anthem and rightfully be regarded as one of their best records. fully remastered on limited edition 180 gram heavyweight vinyl.

london s midnight riot are back from the land of the rising sun with round two of the most obscure japanese boogie and disco jams. they have brought together the finest dj s and collectors for another installment of unique productions and edits. a must have for all the dj muro, joey negro and dj harvey fans out there, these guaranteed grooves are completely impossible to find in this day and age. highlights include shit hot soundsystem, who not only win award for best name of the year, but hammer out a wicked edit of the giorgio moroder influenced -kannushi-. label staples yam who? go with a lo-slung boogie funk excursion courtesy of their edit -mono drive-.

ltd to 50 copies ,
the ambientist hurled oneself into adventures with his own 90 s interpretation of ambient, leftfield, breakbeat and uk electronica.
for fans of traumprinz or rising sun
file under:
ambient, breakbeat, deep house, drum n bass, leftfield, new age, jungle

next stop soweto vol. 1 - township sounds from the golden age of mbaqanga is the first volume of struts groundbreaking series of south african music, exploring lesser known township jive and mbaqanga 45s. artists include mahotella queens, izintombi zesi manje manje and lucky strike sisters.

merveille & crosson return to visionquest this october with their second long player, entitled cerulean and featuring nine original compositions from the duo. 2012 saw the release of cesar merveille & ryan crossons critically acclaimed inaugural long player drm, seeing the pair veer their output into abstract realms and embrace a more eclectic left on centre production style. here five years later the pair return with their second album cerulean, again tipping the focus over to a modern classical, jazz, ambient and abstract aesthetic, featuring collaborations with juliard trained classical pianist julien quinten, no regular play’s greg paulus on trumpet, wareika’s henrik raabe on guitar, yonathan levi on double bass, moritz baumgartner adding additional drum work and berlins signum saxophone quartet. across the ‘cerulean’ project merveille, crosson and all involved offer up an amalgamation of sounds and styles from the freeform jazz odyssey styles of even tides and nordic bummers to the ethereal ambience of intro (almost raw) and mcyh whilst subtly nodding towards their minimal roots with acid pal and qaudra. the pair also radiantly display their love for the new age modular synth style with arp and life in the 80s with intricately programmed, dynamic melodies throughout, all in all resulting in a truly unique and forward thinking project from an array of talents.

to know whats up right now, we must understand what went down in history rave history: easily one of catz n dogz most evocative, classically-informed and ferociously euphoric pieces of work to date, this is a celebration of every black wax brick laid in the foundations of dance music culture. every hand that was ever raised in sweaty exultation. every stranger whoever got hugged on the dancefloor for no reason but pure love for the moment. every whistle. every horn. every damn time. from its quintessential break to its iconic vocal via its sizzling bass-heavy groove, ‘rave history is the ultimate finale piece, a show-stopping opener or a wild mid-set excursion. it resonates with everything thats relevant now and everything thats ever been relevant. loaded with pure positivity, this will complement any style of dj set, any crowd, any age, any country. this is our dna. for added euphoric stimuli, the szczecin boys have also thrown in a kickless hype tool in the form of the feel-heavy life mix. choral pads, cascading fx, dramatic one-strike piano notes, splashing cymbals and that almighty vocal sample that comes with one essential message every single one of us can raise our sweaty hands and hug strangers to: no matter how weird things feel in the world right now, when were together with like-minded dancing neighbours, everything is going to be all right.

hailing from the london rat race, mux step forward with the first release on teenage father and lay their distinctive style out for all to witness. their broad-reaching indie rock sound has undertones of electronica, grunge and a very british swagger that deserves to get them onto radio playlists and festival line ups aplenty. -mdma- rumbles along somewhere between soulwax, kasabian and queens of the stone age, while -teenage father- ups the intensity with a punky thrum behind the raucous guitars and grinding synths, and then -stray- finds the band mixing up the time signatures for the most adventurous cut on the record.

no matter where the winds may blow, what storms may come or what pirates will do, the transatlantyk ship is still sailing. navigated for the last three years by zambon out of berlin, ultimately avoiding the shallow waters of the generic and constantly patrolling the seas in search of exciting sounds. after all that sailing the label just had to replenish its ranks with some fresh faces - those still capable of voyaging into the unknown. joining the crew is a young gun tamten, who by day serves as a vinyl pusher in warsaw s finest side one record store. what he does by night is not the matter of this short text, but we are sure he does a lot of it. hence his love for all things distant - from subaquatic pads and floating riffs, to new-age-y siren voices, otherworldly effects and percussion drenched in reverb. there is a lot of similarly distant, sun-bleached material on this five tracker, full of a druggy and hippy balearic feel. beautiful ambient jam przebudzenie is the stand out track, but znaki czasu is equally as good with its simple, yet memorable melody, reminding of dawns and sunsets on some god forsaken beach. sultry deepness of nieznajoma is followed by enchanting digital exotica of wyrocznia and wavey trip-hop cut po burzy . overall its one of the strongest eps that transatlantyk managed to co-opt into its growing catalogue. definitely one for the dreamers.

haste strom, haste licht: alle lampen an! „keine bewegung 2“ festival + compilation
keine bewegung. wir erinnern uns. 2014. der hamburger popkulturbeschleuniger euphorie und das berliner label staatsakt machen gemeinsame sache und veröffentlichen den vinyl-sampler „keine bewegung“ – eine bestandsaufnahme des urbanen undergrounds in der bundesrepublik: postpunk, indiepop und agitprop von die nerven über messer bis ja, panik. klarer gewinner damals: das hamburger duo schnipo schranke (damals noch frankfurt am main), die zum ersten mal auf „keine bewegung“ in erscheinung traten und mit der auf dem sampler erhaltenen version von „pisse“ die charts und herzen erobern.
wieder gibt es unerhörtes von schnipo schranke, superpop von das paradies aus leipzig, endlich international music aus dem ruhrgebiet, isolation berlin übersetzen pulp, ein antifolk-update von ilgen-nur, haste strom, haste licht, haste lampe an!, ähm, ja... neues von drangsal, tape-aufnahmen von friends of gas, paul von trümmer gibt solo den funkypunk, kala brisella reichen den krankenschein ein, gurr machen uns atemlos und albrecht schrader singt eine ode and die Öde! vieles mehr inklusive! hits, hits, hits!
und weil das alles so geil ist, findet einen monat nach erscheinen der compilation ein exklusives doppelfestival in hamburg und berlin statt: schnipo schranke, lea porcelain, odd couple, neufundland und international music sind bereits bestätigt. weitere bands werden im laufe der nächsten monate bekannt gegeben. und jetzt: fakten, fakten, fakten.
weißes doppel-vinyl im klappcover, downloadcode inklusive.